Fleischer x 2

Just watched two Richard Fleischer films this week, The Narrow Margin and The Don is Dead. The former is a model of efficiency, a taut, tough noir. The latter is an interesting, if somewhat by the numbers, mafia film made to capitalize on the success of The Godfather.

I love this promo artwork for The Last Run and would like to track the film down. It's never been released on home video, but has apparently appeared letterboxed on TCM. The script is by Alan Sharp who wrote 3 of the era's best scripts: The Hired Hand, Ulzana's Raid, and Night Moves before trying his hand at directing once with 1985's Little Treasure, remembered mostly for the ugly episode in which Burt Lancaster and co-star Margot Kidder got into a dust-up on set.

The Last Run has its own messy production history in that original director John Huston left the project in a huff after repeated fights with star Scott. Gun-for-hire Fleischer was quickly called upon to finish the deed. In the meantime, French star Tina Aumont also left the film after a row with Scott and was replaced with the actress who would become his third wife, Trish Van Devere. Also, in the film was Scott's second wife Colleen Dewhurst. Making lots of friends, this Scott...

Mandingo is finally easy to track down on home video after Legend Films licensed it from Paramount and released it on DVD a couple years back. I still haven't caught up with this one-time cause celebre, but where the film was mostly critically reviled upon release, the DVD release brought out some staunch defenders including Dave Kehr who called it "Fleischer's last great crime film."

Ask anyone who's heard it. Anyone.

Boy, was I happy fellow when this showed up in my mailbox last week:

With Quentin T. using several Charles Bernstein tracks in Inglourious Basterds, I wouldn't be surprised if the already sold-out Mr. Majestyk fetches even more interest on the secondary market. There's no denying the catchiness of Bernstein's main theme for Vince Majestyk, which you can sample here at the Intrada website. Bernstein leads things off with a melancholy, trumpet-based main title that beautifully establishes the Majestyk character in musical terms. This motif is repeated throughout the score with a mix of jazz, country, and rock elements and just the right amount of atmospheric, atonal touches that place this soundtrack firmly in the '70s action-movie pantheon. You can still get the soundtrack here. Get 'em while they last, or before the bandwagoners coming home from Inglourious Basterds.

"...about cops--by a cop!"