Tuesday, September 13, 2011

"It's powerful stuff."

You can't see The Outsider on DVD or VHS, but it has been streaming on Netflix Instant for awhile now.  One of a number of not-on-DVD Paramount titles that have shown up on the service, I found it to be very effective and disturbing...it certainly deserves to be more widely known than it is.  Craig Wasson stars as a disaffected Irish-American Vietnam veteran who takes his soldiering skills to Northern Ireland and the IRA, in order to fight for a cause he actually believes in.  What he finds, not too surprisingly, is that even his very noble and pure intentions cannot protect him from the in-fighting, politicking, and corruption that are part and parcel of these situations.  The film was written and directed by Tony Luraschi from Colin Leinster's novel The Heritage of Michael Flaherty.  Based on the complex nature of the film and the skill with which it was made, it's surprising it was directed by a neophyte and equally surprising that it remains his only film.  Sterling Hayden co-stars in a small, but important role as the grandfather, an ex-IRA man, who inspires his grandson's journey.

I find that Wasson gets a lot of unwarranted flack from fellow cinephiles--mostly for Body Double, I believe--but there's no denying that he picked a lot of challenging, left-of-center projects during his few peak years as a young supporting player and leading man, Go Tell the Spartans, Four Friends, and Carny among them, which is something he should be lauded for more than he is.  That none of these films were successful in a financial sense is not attributable to the presence of Wasson, but to their inherently uncommercial nature, particularly in the changing, post-blockbuster climate of the late '70s and early '80s.

And, yes, it appears that the Paramount marketing department re-used the font from the previous year's The Warriors for The Outsider, or something close to it anyway.

Wednesday, September 7, 2011

Bringing Back the Cursive

The advance word on Nicolas Winding Refn's Drive is already good enough that I am eagerly anticipating seeing the film.  On a more geek obsessive level, I appreciate the use of a script font (in pink!) on the posters, a stylistic and perhaps symbolic choice that harks back to the '80s, when there was a prevalence of graffiti and script title fonts, frequently in neon colors, in movie marketing materials.

EDIT: I've added most of the suggestions from the comments section into the main gallery.