Showing posts with label Fun City. Show all posts
Showing posts with label Fun City. Show all posts

Saturday, August 22, 2015

"Who is that guy?!" Fun City Edition


Here's a series of 3 opening credits sequences to imaginary television shows taking place in the Fun City universe, starring some of the many character actors--and some leading men--of the New York-set films of the late '60s - early '80s.  The music on the soundtrack is 3 different iterations of Billy Goldenberg's theme song from "Harry O," a San Diego-set p.i. show starring David Janssen.  So, this clip is both ode to the consummate, often unheralded character players, as well as to the lost art of the television opening credit sequence.

The video was originally part of the pre-show reel for the Deuce's 35mm screening of Night of the Juggler.




Wednesday, September 25, 2013

Dirty Old New York aka Fun City, Part IV


Part IV.  Baseball, punk vs. disco, Travolta vs. Gere, Blaxploitation, teen romance, goofball cops, crooked cops, fake cops, Gordon Parks movies, Gordon Parks Jr. movies, Joe Spinell, and a whole lot more...



Dirty Old New York aka Fun City, Part IV from Jonathan Hertzberg on Vimeo.

Fifth and final installment (for sure, this time) to follow.


The opening logo card is the 1976 Columbia Pictures logo (with Suzanne Ciani theme music).




Monday, November 19, 2012

The Real Fun City - '69


My aunt and uncle recently located some old 8mm home movies and had them transferred to video.  In that cache was a reel apparently shot by my late father in John Lindsay's New York, or "Fun City," as it would come to be known thanks to a much-ridiculed Lindsay soundbite, sometime in mid to late 1969.  Dad would have been 21 then.  Theater displays for Easy Rider (released in July '69) and Popi (May '69) and a news ticker reporting on "Kennedy's auto accident" give us a pretty concrete idea of when this was photographed (likely July).  I can't tell exactly where all this was shot, but there are some distinct Harlem locations such as the Apollo (James Brown!) and a block of apartments that reminds me of similar shots in Ashby's The Landlord (a film shot primarily in Park Slope, Brooklyn).


There's a humorous streak that I can detect in this reel, which jibes with my dad's personality, as I remember him.  And, I sense an appreciation of day-to-day life and interesting faces that I think was passed down to my brother and me, manifested in our shared passion for the photographic arts and the impulse to document things through those mediums.


Perhaps the most interesting aspect of this film is the way the camera captures the faces of the people--many times the subjects engage with the camera, whether to smile or duck away (as in the case of a Hasidic man).  In other words, it's as if the act of filming and being filmed is a pretty big deal, even to hardened, seen-it-all New Yorkers.  It may be that people weren't so accustomed to being filmed or taped, as video cameras were years away and I'm guessing even 8mm cameras were not so commonplace.  I'm assuming the cost of shooting even on Super 8 would have been fairly costly due to the expense of blank film and then the processing and development of the film.  In any event, my dad managed to pack quite a bit into his 6+ minutes seen here.  A few seconds were lost, unfortunately, to some ugly video noise that occurred during the film-to-video transfer.