More Vinyl on Film

This brother hasn't completely jumped back on the vinyl bandwagon, but he does appreciate the art of the 12" jacket.

96 Tears...for the lost songs in Baby, It's You

Just found this original trailer for Baby It's You on IMDb and, if the songs present in the trailer are any indication of the songs on the original theatrical soundtrack, there's quite a bit missing on the video.  

John Sayles does not detail the missing ones in Sayles on Sayles, but here is what I noted from the trailer that I don't recall on the DVD:

*"96 Tears" - ? and the Mysterians

*"Cool Jerk" - The Capitols

*"Shout" - The Isley Brothers (listed in the End Credits, but "Surfin' Bird" plays in the scene that " Shout" appears to have originally belonged to)

*another Spector-ish song sung by a female vocalist, which I couldn't name

*"Hurt So Bad" - Little Anthony and the Imperials

Of course, the songs in the trailer are not a definite indicator of the songs that appeared on the original soundtrack of the film.  The only way to be sure of what has been changed would be to obtain a television/cable dub of the film (which contained the original soundtrack), catch a 35mm (or 16mm) film screening, or obtain an original press kit, which most likely lists the full credits for the film as they originally appeared.

On a final note, I initially thought that the version of "Baby It's You" that plays in the film was a cover, but on a second listen, I believe it is the original Shirelles version.

It's Hard to Be a Saint in the City

Baby, It's You (1983, John Sayles)

Though it carries a 1982 copyright, I'm listing Baby, It's You as a 1983 release since it premiered on March 4, 1983.  This means we are fast approaching the film's 25th Anniversary. Unfortunately, its distributor, Paramount, has stopped releasing catalog titles to standard DVD in its rush to jump on the HD-DVD bandwagon, which now looks like the wrong bet, but that is another story.  What this means is that Baby, It's You will likely remain m.i.a. on DVD--unless Criterion options it from Paramount--which is a shame because the film is one of the rare 1980s teen films that resists the cliches and standard devices of that much-maligned genre. It was for this very reason that the Jeffrey Katzenberg/Michael Eisner-led Paramount of the early '80s wrested editorial control from writer/director Sayles.  As Sayles tells it in Faber and Faber's Sayles on Sayles, the Paramount honchos tried to pull another Porky's or Fast Times at Ridgemont High out of Sayles' class conscious 1960s-set drama and failed miserably. The studio-mandated version tested more poorly than Sayles' preferred cut and so Paramount begrudgingly dumped the film in early '83 to a handful of theaters where it died a quick death. The film, which centers around the mostly one-sided relationship between a privileged, Jewish high school student (Rosanna Arquette) and a working-class, Italian boy (Vincent Spano), deserves much better.

Except for television showings, the film would be unavailable to viewers until 1989 when Paramount Home Video finally released the film on VHS and laserdisc with a rather unfortunate "rescored" soundtrack.  Sayles adds: "So there was no video available of Baby, It's You for almost six or seven years. Anybody who wanted to see it on tape had to know somebody who had taped it off of Showtime.  And by the time it came back, certain songs had gotten much more expensive."  Like several other studios at the time--Universal being the worst offender--Paramount failed to secure music rights for home video.  Because of this, a number of the great pop songs that populate the film's stellar soundtrack--in its original incarnation--are replaced on home video with cheap-sounding K-Tel-like versions of these songs.  Thankfully, the video and laserdisc retained the anachronistic Bruce Springsteen tunes that Sayles so presciently and effectively utilized in the film alongside hits from the period. One hopes that if the film does eventually appear on DVD, it does so with its original soundtrack completely intact. However, the prohibitive price of this soundtrack cannot help the film's chances and is a likely reason for its continued absence on DVD.  French Postcards and American Hot Wax are two other highly worthwhile Paramount titles that have suffered similar fates on home video due to music rights issues.

Music aside, Sayles' film is the most polished of his early films, no doubt due to the contributions of renowned cinematographer Michael Ballhaus, working on his first American film after years with Rainer Werner Fassbinder.  The semi-autobiographical script by Sayles and producer Amy Robinson (Mean Streets, Chilly Scenes of Winter) is brought to vivid life by young leads Arquette and Spano, and a very impressive supporting cast which includes Robert Downey Jr., Matthew Modine, Tracy Pollan, and Fisher Stevens.  Neither Arquette or Spano have received worthy film roles in some time...Baby, It's You is a striking reminder of their unique talents and a vital component of writer/director Sayles' distinguished career.